It happens. You’re sitting in front of a blank page, you dip into your well of inspiration, and you come up with nothing.
At most the moldy remains of an idea you had in seventh grade.
I’ve been there time and again, until by chance I attended a panel led by Orson Scott Card.
In that panel, he opened my eyes to what a good story idea looks like, and how to generate story ideas without any effort.
With time, I’ve included my own little twist on his method. The result? A five-element idea generator that will rarely fail you.
Here’s how it works.
The First Element: Character
A story cannot take place without characters. The character might be a chair (I wrote one like that!), but it has to be there.
If you don’t have a specific idea for a character, make one up randomly. Choose the following:
- Race (e.g. human, alien, salt shaker)
- Gender (if applicable–and isn’t that a story idea in itself!)
- Age (from toddler to elder and even eternal)
- Marital status (single, married, divorced, three-year marriage contract…)
- Family status (parents, brothers, pets, etc. but also nationality and ethnicity)
- Circumstances (profession, work)
- And, of course, a name.
Interesting combinations make for richer stories, so keep that in mind as you fill out your character’s background.
The Second Element: Desire
Your character must have some desires in life. What drives her? What makes her get out of bed in the morning?
It can be an active desire, like running a marathon or getting a promotion. It can be a less active desire, like wanting to be left alone.
But it has to be a specific, attainable desire that will move your character throughout your story.
Can’t think of a good desire? Re-read your character’s background, try to get into that person’s shoes and think of what you would have wanted in her stead.
The Third Element: Resistance
If your character wanted something and got it right off the bat, you wouldn’t have a story, would you?
So the next critical element is the roadblock that stands in your character’s way.
It can be physical, emotional, spiritual or cultural. It can be another person or a group of people.
It can be a question of legality or consensus. It can be the very elements of nature.
Whatever it is, make sure the resistance matches the character. If you have a strong character, you will need a powerful obstacle to stand in her way–otherwise, the reader won’t be convinced that the struggle is real and desperate.
With these three elements, Orson Scott Card claimed at that panel, you have a solid story idea that can be developed into any media and length.
I like to add two more elements to the mix.
The Fourth Element: Change
A story is all about the character’s journey, and that journey is all about change. If the protagonist is the same at the end as she’d been in the beginning, something is missing.
For short stories, the change can be as simple as a single trait:
- A shy man overcomes his shyness in order to pursue true love.
- A skeptic woman must learn to believe before she can attain the career of her dreams.
- A haughty salt shaker must learn humility in order to find peace in its life.
And so on. The longer the story, the more scope you have to mould your character in new ways.
The Fifth Element: Settings
The settings of a story are more than a backdrop. It is often a character in and of itself. It impacts the way your protagonist thinks, feels, and behaves.
Choose an interesting backdrop that will really challenge your protagonist or highlight her journey.
For example, if your protagonist is on a journey of inner and outer peace, why not paint her story against a background of war, strife, or unrest?
Character, desire, resistance, change and settings. Pick them deliberately or randomize them completely–either way, you’re sure to get some interesting story ideas.
In fact, if you need help randomizing them, try this . It works according to these five elements, it has over a million combinations, and it’s completely free.
Now, go make up some ideas and write!